Audio Engineer II

CAPITAL OF TEXAS PUBLIC•Austin, TX
•Onsite

About The Position

Austin PBS seeks an experienced audio engineer to support internal productions and internal and external events. The role regularly provides studio audio support for productions including Central Texas Gardener, Austin InSight, Austin City Limits, and Overheard with Evan Smith, and handles audio post-production for those and other special projects, events, and productions. The successful candidate can work effectively in a high-pressure environment, works well as part of a team, and has a proficient background in live audio, audio recording, and audio post-production. Additional experience in television, music, and/or digital production is a plus. The Audio Engineer II reports to and works closely with the Audio Production Manager and VP of Production. The position contributes to award-winning shows and special productions and events in a supportive, collaborative work environment. Work is primarily performed on-site.

Requirements

  • At least 5 years of experience working in a related field.
  • Proficient background in live audio, audio recording, and audio post-production.
  • Knowledge of television production concepts, principles, methodology, and techniques.
  • Knowledge of professional audio production, audio post-production procedures, and audio standards in broadcast and digital production environments.
  • Collaborative decision-making skills.
  • Ability to take direction and work as a team player.
  • Proficiency in Google Suite.
  • Understanding of public media mission and values.
  • Ability to work in moderate to loud noise levels.
  • Ability to work non-standard hours, including nights and weekends, and overtime as necessary.
  • Ability to lift or carry equipment.
  • Ability to regularly operate audio and computer equipment.
  • Ability to regularly interact and exchange information with others verbally and in writing.

Nice To Haves

  • Dante Level 3 Certification.
  • Calrec experience.
  • DiGiCo experience.
  • At least 4 years of Pro Tools mixing experience.
  • Experience in television, music, and/or digital production.

Responsibilities

  • Operate audio consoles for sound reinforcement and/or recording in studios and control rooms.
  • Mic talent using wireless or hardwired microphones, including lavalier and boom microphones.
  • Set up and break down band and event equipment, including stands, microphones, and cables.
  • Advance audio needs for shows and events when assigned.
  • Handle cabling and patching and collaborate with the entire crew.
  • Set up and operate audio for events and productions using audio consoles, IFB feeds, RF and hardwired microphones, RF and hardwired IFBs, and PA systems.
  • Mix audio in post-production using Pro Tools.
  • Ensure proper care and handling of company and rental audio equipment.
  • Ensure production and special-event audio needs are met and executed professionally.
  • Attend and actively participate in station, department, and show production meetings.

Benefits

  • Supportive and collaborative work environment.
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