Audio Engineer

Flyspace Productions LLC•Pittsburgh, PA

2d•$22 - $24

About The Position

The Audio Engineer is a member of our Production Team. The role requires extensive knowledge of installing audio systems in temporary venues, both indoor and outdoor. The ideal candidate has previous experience with national-level artists, theatre, and corporate events. The majority of this work will take place in Pittsburgh, PA with occasional travel as needed to show sites in the region. Pay rate commensurate with experience, ranging from $21.64 to $24 per hour (with opportunity for overtime).

Requirements

Relevant certifications and/or a degree in Audio Engineering or a related field is preferred.
Proven expertise as an advanced A1 in live event production, with a strong track record in various events (corporate A/V, theatre, and concert audio productions).
Proficiency with digital and analog consoles, RF management, and audio signal flow. Specific systems that are highly desired include: Dante Level 2 certification, Waves SoundGrid, Line Array System Deployment Software, Shure Wireless Workbench and AVID, Digico, and Yamaha digital mixing consoles (more experience is always welcome).
Perform on site audio rigging and can identify compromised rigging hardware.
Strong knowledge of electrical systems and low voltage wiring.
Stay calm under pressure and resolve technical issues in real-time.
Lead and direct technicians and stagehands (including Union/House crew) of varying abilities and experience across multiple disciplines.
Strong communication skills for coordinating with diverse teams.
Can operate as an A2 or A3 as needed per event.
Can work independently as well as on a team.
Operate a company owned vehicle including box trucks, pick up trucks, or cargo vans with a valid driver's license and ability to maintain DOT medical clearance.
Must be over 18 and legally permitted to work for this employer in the US.
Valid Driver's License.
Must sit, stand, and walk for extended periods of time.
May operate in a warehouse setting, and be required to use a computer for inventory and event prep work.
May frequently be required to lift, push, pull, and carry up to 50 pounds.
Must be comfortable with ladders and heights.
Must be able to read, see, hear, and speak English.
Must be able to independently travel to off-site locations, potentially on short notice.
Must be willing to work in outdoor venues which may experience inclement weather and varying temperatures.
Must be willing to work flexible hours, including nights, weekends, holidays, and overtime as required.

Nice To Haves

FLEX Inventory software knowledge is a plus.
Professional understanding of the artistic process and the ability to work closely with clients, including artists, performers, and designers, in a diplomatic way.

Responsibilities

Plan and configure audio systems, including PA systems, wireless microphones, intercoms, and digital mixing consoles.
Preparing equipment as needed in the shop, and conducting quality control checks upon return.
Directing the implementation of equipment during: transportation, load in, show, load out.
Operate FOH or monitor mixing consoles during live events, ensuring optimal sound quality.
Collaborate with producers, directors, and other technical teams to align audio requirements with event goals.
Diagnose and resolve audio issues quickly and efficiently during setup and live events.
Support other technicians with troubleshooting advice and support.
Manage and mentor technicians and other crew members to ensure smooth operation and setup.
Ensure all equipment and practices meet industry safety and regulatory standards.
Contribute to the maintenance, repair, and inventory of audio equipment.
Excellent adaptability and client service skills (verbal and written) to communicate effectively with clients and peers.
Act as a Site-Lead if necessary.
Assist other company departments as work demands require.